I really enjoyed Shannon Mattern’s essay. While reading it I realized that I know her from The New School’s Media Studies Dept. where I completed my first MA. Her bio is worth a read. She also was the MC for my commencement from the Media Studies program there — a truly lovely ceremony, complete with cap & gown & diploma handshake and my aunt who graduated from Hunter College in the 1940’s in attendance.
Shannon’s work is very complex, as the theoretical nature of this essay demonstrates. She’s very interesting to converse with as I’ve had the occasion to do.
Regarding the essay, I particularly like her closing academic pep talk about us as practitioners in our fields “transform[ing] criticality into generativity”. Her commencement address was similarly inspiring in tone.
I have many additional observations on this reading which I will add via editing this post.
Continuing on, Mattern advocates for DHers and our colleagues as “critical-creative practitioners” (a moniker I like) to go beyond the representation of infrastructure to the design of infrastructure [our]selves” so that we’re approaching infrastructure as a generative structure [which is] a framework for generating systems/environments/objects and cultivating individuals/communities that embody values we want to define in our society. (7)
This is a tall order organizationally speaking, but approachable on the individual level of our classrooms, projects, and as members of group projects.
I like how SM acknowledges the “entangled soft and hard infrastructures that often propel ‘making’ in our fields”, and lead to institutional forces that seek branded theories, methods and churn out grad students, like us, eager to discover the ‘new big thing’ via conferences, etc. and the “infrastructure” travel these require with its inherent sustainability sub-issues of fuel, jet fuel, diesel, electricity, and the environmental impact of these.
I also like how SM takes a bold step in acknowledging that liberal conceptions of labor, knowledge, and taste that many theoretical and aesthetic movements “actually embody” often fail to match up to their professed politics. The legendary waste in the fashion and film industries, while many of its leading design professionals and celebrity consumers profess to be “green” and/or shame others in different industries is an outrageous form of hypocrisy.
Therefore, I think keeping “infrastructional ecology” in mind is indeed a great motivating force for us DHers as “critical-creative practitioners” to contribute practices that embody a political economy aligned with the liberal values of our chosen field’s theories. Maybe this is the “NEXT new big thing….?”